COLL international: “Shakespeare and the Contemporary”, 11-12/02/2022, Sorbonne
“Shakespeare and the Contemporary” / “Shakespeare et le contemporain »
PROGRAMME
11 February 2022
Amphi Bilsky-Pasquier, Site des Cordeliers, 15 rue de l’Ecole de Médecine, 75005 Paris.
9.30 am : Welcoming address — Prof. Pascal Aquien, Vice-doyen Recherche, Faculté des Lettres, Sorbonne Université
Session I: Contemporary stages (Chair: Gordon McMullan)
9.45, Keynote 1: Sarah Dustagheer (University of Kent), “Shakespeare in Shoreditch: Urban Gentrification and the Politics of Performance”
10.45 am. Break
11.00 am – 12.00 pm:
11.00 am: Dominique La Victoria (Ateneo de Manila University), “Makbetamaximus: Theatre of Destruction. Staging the World’s Longest Macbeth Under the World’s Longest Lockdown”
11.30 am: Estelle Rivier-Arnaud (Université Grenoble-Alpes), “Shakespeare in the Post-Noughties: Violence under a Microscope”.
12.15 pm Lunch break
1.30 pm, Session II: Rewriting (with) Shakespeare in the 20th and 21st Centuries. (Chair: Sabine Schülting)
1.30 pm, Keynote 2: Tobias Döring (Ludwig-Maximilians-Universität München), “Staging forgetting: how Heiner Müller and Botho Strauß get lost in A Midsummer Night’s Dream”
2.30 pm-4.00 pm
2.30 pm: Pascale Drouet (Université de Poitiers), “Young Voices in Scotland: from Shakespeare’s Macbeth to Greig’s Dunsinane”
3.00 pm: Anja Hartl (Universität Konstanz), “Shakespearean Resonances: Political and Adaptational Borders in David Greig’s Dunsinane”
3.30 pm: Richard Ashby (King’s College London and Royal Holloway), “The Gods Weep and King Lear: Dennis Kelly, the Holocaust and Climate Catastrophe”
4.00 pm: Break
4.30-6.00 pm: In conversation with David Greig (round-table coordinated by Elisabeth Angel-Pérez)
12 February
Salle des Actes, Sorbonne (11 rue de la Sorbonne, 75005 Paris)
9.15 am, Session III: Political Shakespeares. (Chair: Elisabeth Angel-Perez)
9.15 am, Keynote 3: Florence March (Université Montpellier 3), “Festival Shakespeare : Reinventing Popular Theatre in the Twentieth and Twenty-first Centuries”
10.15 am : Break
10.45 am : Rowena Hawkins (King’s College), “Contemporary Shakespeares on Festival Stages”
11.15 am: Julie Vatain-Corfdir (Sorbonne Université), “Deference, Reference, or Independence? On Contemporary US Uses of Shakespearean History”?
11.45 am, Keynote 4: Peter Kirwan (Nottingham University), ‘“Your time’s expired”: Spatiotemporal Dramaturgies in Cheek by Jowl’s Romances”
- 45 pm: Lunch break
2.00 pm, Session IV: Intermedial Shakespeares. (Chair: Line Cottegnies)
2.00 pm: Ina Habermann (Universität Basel), “The Uncertainty Principle – Contingency and Orientation in Shakespeare’s Drama”
2.30 pm: Anne-Valérie Dulac (Sorbonne Université), “Hamlet, our Contemporary: Tacita Dean’s His Picture in Little”
3.00 pm: Méline Dumot (ENS, Lyon), “Shakespeare’s Productions During Covid-19: Expanding Digital Horizons”
Conclusions
(Colloque soutenu par le projet Emergence ClioS, VALE et l’Inititative Théâtre de Sorbonne Université et le King’s College Shakespeare Centre)
OpenEdition vous propose de citer ce billet de la manière suivante :
Line Cottegnies (15 janvier 2022). COLL international: “Shakespeare and the Contemporary”, 11-12/02/2022, Sorbonne. ClioS (Clio on stage). Consulté le 15 juin 2025 à l’adresse https://doi.org/10.58079/mza1